On this page
Reference · Browser image editing
Photopea is the most complete image editor that runs inside a web browser without an install. It is a single-developer product, it is free to use with advertising, and it opens Photoshop files with a fidelity that no other browser tool approaches. That combination makes it genuinely important for anyone who works with images on a budget, and it also makes it easy to overestimate: Photopea looks like Photoshop, so people assume it behaves like Photoshop in the places where it does not.
This reference exists to close that gap. It is not a marketing page and it is not a tutorial series. It is a structured, chapter-by-chapter inventory of what Photopea actually does in late 2026, where the boundaries are, and which workflows it should and should not be trusted with. We built it because the questions we get from photoedit.in readers are rarely "what is Photopea" and almost always "will Photopea do this specific thing for me" — a question that generic reviews answer badly.
What Photopea is, in one paragraph
Photopea is a proprietary, advertising-supported raster and vector image editor that runs entirely in a modern browser. It was created by Ivan Kutskir in Prague, developed privately from 2012 and released publicly on 14 September 2013. The current stable line at the time of writing is version 5.6, released on 26 September 2024, which added 16-bit and 32-bit colour depth with GPU acceleration, JPEG XL and HEIC support, PSD-in-TIFF handling and improved progressive web app behaviour. Files are processed locally on the visitor's device rather than uploaded to a server, which is the single most important architectural fact about the product and the reason it is safe for confidential client work.
The five-minute verdict
If you only read one section of this reference, read this one. The table below is the compressed judgement; each row is expanded and evidenced in the chapter it points to.
Photopea always works internally in RGB. When you switch a document to CMYK it adds a hidden adjustment layer that converts on save, and re-opening converts back. Repeated round-trips progressively lose colour precision, and you cannot select a specific CMYK ICC profile such as Coated FOGRA39 or US Web Coated SWOP. If colour accuracy for offset printing is the job, this is the wrong tool and no amount of interface similarity changes that.
Who should use Photopea, and who should not
The honest answer is that Photopea is excellent for three groups and mediocre for three others. It is excellent for people who receive PSD files and cannot justify a Photoshop subscription, for web and UI designers who need to open Sketch, Figma or XD exports and pull assets out of them, and for anyone who needs to convert between the forty-odd formats it reads without installing anything. It is also genuinely good at quick retouching: the healing brush, patch tool and clone stamp behave the way a photographer expects.
It is a poor fit for colour-critical prepress, for a professional RAW pipeline, for animation production, for teams that need simultaneous editing, and for anyone whose workflow depends on commercial Photoshop plugins. Those are not edge cases; they are entire job categories. Chapter 19 sets out the full decision matrix with the evidence behind each line.
How this reference is organised
There are twenty chapters and they do two different jobs. The first twelve walk through the application the way the interface is laid out, from the canvas inward: navigation, files, layers, selections, retouching, painting, filters, vectors, colour, AI, automation and export. Chapters thirteen to eighteen are an exhaustive inventory of the editor itself — the menu bar item by item, every tool slot and options bar, every dock panel and panel control, every modal dialog and its fields, every filter with its parameters, and all twenty-seven blend modes with the formulas they implement. If a button, slider or menu entry exists in Photopea, one of those six chapters names it. Chapter nineteen is the limitations and decision guide, which is where most readers should start if they are evaluating rather than learning. Chapter twenty documents our sources and the method we used, including the places where sources disagree and we could not resolve the conflict.
Interface & navigation
Panel layout, zoom and pan, rulers, grids, snapping, history depth, artboards, themes and the single-document limit.
02Files & formats
PSD as the working format, forty-plus import formats, the RAW dialog, PDF export modes, batch conversion and metadata.
03Layers & masks
Nine layer types, blend modes, raster and vector masks, clipping, smart objects and the ten layer styles.
04Selections & retouching
Nine selection tools, refine edge, healing and clone tools, dodge and burn, free transform, warp, Liquify and crop.
05Painting & filters
The brush engine, stylus pressure, gradients, patterns, and the full filter catalogue including Blur Gallery and Vanishing Point.
06Vector & text
Pen and shape tools, path structure, boolean operations, bitmap vectorisation, point and paragraph text, OpenType and bidirectional type.
07Colour & colour management
8, 16 and 32-bit depth, the CMYK emulation problem, ICC handling, eighteen adjustments and the Channels panel.
08AI features
Remove BG, Magic Replace, text-to-image, the credit economy, what is missing versus Photoshop, and the opt-out question.
09Automation & animation
Actions and ATN files, JavaScript scripting, variables, batch automation, the plugin system and frame-by-frame animation.
10Cloud, privacy & export
Five storage backends, PeaDrive, the offline claim examined, export formats, DPI handling and the missing print path.
11Platform & pricing
Browser support, PWA behaviour, version history, plan mechanics, the self-hosting contradiction and enterprise options.
12Keyboard shortcuts
A complete map by menu and by tool, plus the customisation gap that affects non-English keyboard layouts.
13The menu bar
All nine menus taken apart row by row, with the shortcut and the real behaviour of every single entry.
14The tool rail
Every one of the 22 tool slots, the stacks hidden behind each key, and the options bar that changes per tool.
15Every panel
The three-part panel grammar, then Layers, Channels, Paths, History, Actions, Character, Brush, Info and the rest.
16Every dialog
New Document, Image Size, Levels, Curves, Camera Raw, Blur Gallery, Liquify, Layer Style, Save for Web and more.
17Filter catalogue
Roughly sixty filters across eight groups, listed alphabetically with the parameters each one exposes.
18Blend modes
All twenty-seven modes grouped into five families, each with its formula and the situation it is good for.
19Limitations & decision guide
Developer-confirmed missing features, architectural limits, use cases to trust and use cases to avoid, competitive position.
20Sources & methodology
The full source list, how each claim was verified, where sources conflict, and how to report a correction.
Key numbers at a glance
| Measure | Value | Note |
|---|---|---|
| First public release | 14 September 2013 | Developed privately from 2012 by Ivan Kutskir |
| Current stable version | 5.6 | Released 26 September 2024; updates ship without major announcements |
| Import formats | 40+ | Including PSD, PSB, AI, PDF, INDD, XD, Sketch, Figma, XCF, CDR and nine RAW formats |
| Export formats | 12 | PSD, JPEG, PNG, GIF, WebP, APNG, SVG, PDF, TIFF, BMP, DDS, PPM, EXR |
| Blend modes | 27 | Photoshop ships 27 as well, though the sets are not identical |
| Interface languages | 42 | Preferences stored in a cookie and synced when signed in |
| Free cloud storage | 0.5 GB | PeaDrive; 5 GB on Premium |
| AI credits, Premium | 3,000 / month | Remove BG costs 1, Magic Replace costs 3 |
| History depth | Standard | Doubled on Premium; no fixed public figure |
How we verified this
We worked from three tiers of evidence and labelled them differently throughout. The first tier is Photopea's own documentation, its developer blog and the developer's replies in the public GitHub issue tracker; those are treated as authoritative because the developer is the only person who can state how the product behaves. The second tier is independent testing and reputable reviews, principally PCMag's hands-on review and the Chrome for Developers case study, which we use for corroboration and for behaviour that documentation does not describe. The third tier is community reference material such as shortcut lists and user reports; we use it only for details that are low-risk and independently checkable, and we say so where we do.
Where the sources contradict each other we say so rather than picking the more convenient answer. The clearest example is self-hosting: Wikipedia reports self-hosting at $500 to $2,000 per month, while two secondary reviews state flatly that Photopea cannot be self-hosted. Both can be true if the Wikipedia figure refers to a white-label distributor account rather than a traditional deployment, and chapter 11 explains why we think that is the most likely reading. The offline capability claim has a similar shape and is examined in chapter 10.
Frequently asked questions
Is Photopea really free?
Yes, in the sense that matters: every editing tool, filter and file format is available without payment. The free tier shows advertising beside the canvas, gives you 0.5 GB of cloud storage and roughly one AI action per day, and keeps a shorter history. Premium at about $5 per month removes ads and raises those limits. Nothing in the editing feature set is locked.
Does Photopea open Photoshop files properly?
Yes. PSD is Photopea's native working format, and layers, masks, blend modes, smart objects, type layers, vector shapes and layer styles survive a round-trip with high fidelity. What does not survive perfectly is CMYK pixel data across repeated conversions, and any feature Photoshop has that Photopea has never implemented.
Are my files uploaded to a server?
No. Files are processed in your browser and are only transferred if you explicitly save to a cloud storage provider. AI features are the exception in spirit if not in fact: background removal and Magic Replace run on Photopea's servers, which is why they cost credits. The Spot Healing Brush runs locally and is not a server call.
Can I use Photopea for professional print work?
For layout and export of RGB artwork, yes. For colour-critical offset printing, no. CMYK is emulated, no CMYK ICC profile can be selected, and repeated CMYK round-trips degrade the data. Validate output in a proper prepress tool before committing to a print run.
Is Photopea better than GIMP?
For most people, yes, on interface and file compatibility. GIMP is open source, self-hostable and scriptable in Scheme and Python, which Photopea is not. But Photopea's PSD fidelity, layer styles, smart objects and Photoshop-shaped interface make it far easier to pick up, and it needs no installation.
Will Photopea replace Photoshop for me?
It will replace Photoshop for editing, retouching, format conversion and asset extraction. It will not replace Photoshop for a RAW-first photography pipeline, colour-managed print production, plugin-dependent workflows, 3D, or team collaboration. Chapter 19 gives the per-workflow answer.
Photopea ships continuous updates without major version announcements, so a feature described here as absent may appear without warning. Every chapter carries a review date, and we re-check the developer's issue tracker and blog before each revision. If you find something out of date, the correction process is described in chapter 20.